Transsiberian (2008)
Runtime: 1 hr 51 mins
Theatrical Release: Jul 18, 2008 Limited
Box Office: $919,085
Synopsis: With TRANSSIBERIAN, Brad Anderson proves once again that he has an exceptional ability to craft a suspenseful thriller. Leaving behind the overtly Hitchockian style that made THE MACHINIST such an interesting formal exercise, Anderson this time shoots his film in color and roots it firmly... With TRANSSIBERIAN, Brad Anderson proves once again that he has an exceptional ability to craft a suspenseful thriller. Leaving behind the overtly Hitchockian style that made THE MACHINIST such an interesting formal exercise, Anderson this time shoots his film in color and roots it firmly in the present. Roy (Woody Harrelson) and Jessie (Emily Mortimer) have just finished working with children overseas as part of a church project. Before flying back to the States, they decide to travel from Beijing to Moscow on the Trans-Siberian Express train, where they meet two fellow travelers, the handsome Carlos (Eduardo Noriega) and young Abby (Kate Mara). The couples bond, but gradually Jessie becomes worried that her new friends are involved in drug trafficking. At that point, the web has been spun, and when the intimidating Russian detective Grinko (Ben Kingsley) arrives, Roy and Jessie become innocent targets in a dangerous chase. Anderson's script, co-written with Will Conroy, helps to elevate TRANSSIBERIAN beyond mere thriller status. Without the suspense, it remains a well-executed portrait of a complicated relationship between two real people. Mortimer is her usual fantastic self, and it's fun to watch Harrelson play an average, upbeat American guy. Throw the always riveting Kingsley into the mix and you have a motion picture that is above average in every way. By the time the film reaches its payoff, viewers will have felt as if they, too, took a ride on the Trans-Siberian Express. [More]
Starring: Woody Harrelson, Emily Mortimer, Kate Mara, Eduardo Noriega, Thomas Kretschmann
Screenwriter: Brad Anderson, Will Conroy
Producer: Julio Fernandez
Composer: Alfonso De Vilallonga
Buy It On DVD
Reviews
This diverting effort from writer/director Brad Anderson is a generally satisfying fish-out-of-water thriller in which two squeaky-clean Americans find themselves caught up in a web of death, drugs and disappearances.
Doesn't deserve a place among the classic train thrillers, but it offers enough cinematic amenities to be worth booking passage. And you won't need a sleeping compartment.
Transsiberian is a model of audience manipulation, a slow-fuse thriller that builds its suspense gradually, in increments, until it has becomes close to unbearable. Then it pushes things just a little further, until you're squirming in your seat.
This is not to say that Transsiberian is wall-to-wall dread. Once it gets going...it delivers enough electricity to keep us right near, if not completely on, the edge of our seats.
Writer/director Brad Anderson gives us an artful, shifty-eyed take on human strengths and weakness; his film delivers the pleasure of a conventional tale well told, with clever twists and complex characters.
Transsiberian is a paranoid, chilling train trek that borrows freely from the best Hitchcock pictures to give us that rare adult summer thriller -- 'adult' as in not based on a comic book or video game.
Some might think this film is unbelievable, and they're right. But, Hitchcock films aren't either. They're just fun rollercoaster rides, so check your brain at the door and have a blast.
... it's a little sloppy and full of convenient coincidences, but at its best roils with edgy character tensions.
A morally complex if plot-wobbly thriller set on the Trans-Siberian Express as it rockets (well, creaks and groans) through snowy forests and forgotten towns.
It takes its sweet time, but Transsiberian is a frosty, gripping ride on the terror train. It maintains the generous beat, giving audiences a nice jolt of xenophobia to go with their helping of traditional thrills.
The combination of good directing, writing, acting and film-craft make for a dramatic thriller (or dramatic thriller, if you want) that keeps you on the edge of your seat.
Transsiberian starts in neutral, taking the time to introduce its characters, and then goes from second into high like greased lightning. I was a little surprised to notice how thoroughly it wound me up. This is a good one.
Nowadays, Kingsley is a bit like the English version of Morgan Freeman - an actor with a seemingly inherent reservoir of gravitas, yet no qualms about glossy paycheck gigs.
Transsiberian shows there's plenty of life left in the 'strangers on a train' genre.
With its consistently clever and always unpredictable screenplay, fascinating setting, and stellar lead performance, Transsiberian is riveting from beginning to end.
It's got that classic thriller feel where characters are slowly caught in a mousetrap and they have to find their way out. It's a slow, menacing burn.
The patient viewer should find Trannsiberian to be a rewarding experience. Hitch would be proud.
A movie whose inspiration comes straight from the DNA of some of Hitchcock's finest classics, Anderson's latest is a languid, sometimes engaging thriller that unfortunately fails to elevate those existing clichés and conventions beyond the parameters of w
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