Babel (2006)
Runtime: 2 hrs 23 mins 1 sec
Theatrical Release: Oct 27, 2006 Limited
Box Office: $34,237,104
Synopsis: BABEL is the crowning achievement in the trilogy from the unstoppable creative pairing of screenwriter Guillermo Arriaga and director Alejandro Gonzalez Innaritu, which also includes AMORES PERROS (2000) and 21 GRAMS (2003). Building upon its predecessors' method of weaving together... BABEL is the crowning achievement in the trilogy from the unstoppable creative pairing of screenwriter Guillermo Arriaga and director Alejandro Gonzalez Innaritu, which also includes AMORES PERROS (2000) and 21 GRAMS (2003). Building upon its predecessors' method of weaving together disparate storylines, BABEL reaches new heights of ambition with a tale that, in the absence of traditional narrative and protagonist, relies on numerous incredible performances to evoke an affecting relevance by framing contemporary issues in very human struggles and mistakes. Richard and Susan (Brad Pitt and Cate Blanchett) are a wealthy couple from San Diego who are vacationing in Morocco in order to heal after the death of their young child; their other two children are at home with their Mexican maid, Amelia (Adriana Barraza). In a complex shift of ownership to which the audience is privy, a rifle finds its way into the hands of a local herdsman's young sons (Said Tarchani and Boubker Ait El Caid), who recklessly take a shot at a tour bus and catch Susan in the shoulder, causing her to nearly lose her life. The distraught Richard calls home to tell Amelia of the situation, who promptly departs for Mexico to attend her child's wedding, with Richard and Susan's children in tow. Disaster thus multiplies, with the situation in Morocco ascribed to terrorists in the media, while Amelia meets with the harsh immigration policies of the Bush administration. Meanwhile, in Tokyo, a widower (Koji Yakusho) tied to the rifle in question attempts to deal with his memories and his raucous, promiscuous, deaf daughter (Rinko Kikuchi). Nearly every performance of the film is devastating, offering an intimate, emotional experience that would approach melodrama if it weren't rendered so realistically. Cinematographer Rodrigo Prieto's color palette masterfully captures the muted tones of the harsh natural landscapes of Morocco and the Mexican border, as well as the fluorescent lights of Tokyo that denote another, though equally barren, end of the spectrum. The misunderstandings born of cultural, language, and class barriers are on par with those that occur between family members, depicting a world that, while connected in the least expected of ways, is also faced with a deep-seated crisis that threatens to alienate humanity from itself. [More]
Genre: Dramas
Starring: Cate Blanchett, Brad Pitt, Gael Garcia Bernal, Mahima Chaudhry, Shilpa Shetty
Screenwriter: Guillermo Arriaga Jordan
Producer: Steve Golin, Jon Kilik, Alejandro Gonzalez Inarritu, Corrine Golden Weber
Composer: Gustavo Santaolalla
DVD Info
Release:
Sep 25, 2007
DVD Features:
- Region 1
- 2-Disc Set - Keep Case
- Widescreen
Audio:
- Dolby Digital 2.0 Surround - English, French
- Dolby Digital 5.1 Surround - English
- Subtitles - English, French, Spanish - Optional
Buy It On DVD
Reviews
Babel...belongs to an unfortunately proliferating genre that might be called the higher kitsch.
...language acts more as a means to distance and isolate us than aid in our understanding of one another.
Babel directed by Alejandro Gonzalez Inarritu is one of the most compelling films to date.
an affecting examination of disconnected lives in an interconnected world.
With some irony, the byzantine Babel is the one that babbles, speaking without actually saying much of anything.
Smart, interesting to look at, and courageous, this is one of the best films of 2006.
There is some hope, in Iñárritu's world, each of the characters may have a family and love, but this is shown to be, at best, a diversion against the real world, which is a much more intolerable, incomprehensive place.
Alejandro González Iñárritu and screenwriter Guillermo Arriaga cap off the trilogy of films that began with "Amores Perros" and "21 Grams" with a rich and engrossing drama.
A better title for this film would have been "Murphy's Law," as Inarritu has a relentless grip on the banality of its tenets.
Alejandro González Iñárritu’s latest sprawling, dispersed art-film blockbuster prompts a question: Does he just not know how to tell a story?
Rubbish so pretentious it would make the folks behind Crash begin to blush.
Babel es más que eso, es contradicción y antítesis, es la obra cumbre y gloriosa de un visionario en un retrato triste y dramático de nuestro mundo.
An impressive, beautifully acted work with a tragic sense of life. The formality of its structure controls a seething anger.
Well acted and handsomely photographed, but still extraordinarily overpraised and overblown, a middlebrow piece of near-nonsense: the kind of self-conscious arthouse cinema that is custom-tailored and machine-tooled for the dinner-party demographic.
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