Boy A (2008)
Runtime: 1 hr 40 mins
Theatrical Release: Jul 23, 2008 Limited
Synopsis: Bright futures are undercut by dark pasts in BOY A, a quiet, ruminative tale about a violent act committed by a man in his tormented youth, and his haunting inability to find a way to have a peaceful adulthood years later. Fresh out of a 14-year prison sentence, 24-year-old Jack (Andrew... Bright futures are undercut by dark pasts in BOY A, a quiet, ruminative tale about a violent act committed by a man in his tormented youth, and his haunting inability to find a way to have a peaceful adulthood years later. Fresh out of a 14-year prison sentence, 24-year-old Jack (Andrew Garfield) arrives in Manchester looking for a new start. He has a new name, a new job, and a carefully sealed criminal record, but an entire boyhood spent behind bars has left him permanently looking over his shoulder. Guided by his fatherly caseworker, Terry (Peter Mullan), Jack attempts to forge meaningful ties with a local girl and a chatty co-worker, but what happiness he finds is challenged when his true identity seeps (and then floods) through the cracks of his new façade. Directed with claustrophobic flair by John Crowley (INTERMISSION), BOY A unfolds in tight hallways and on narrow roads; for Jack, even in freedom, every room's a prison. As the story of Jack's new life moves forward, sharply lit flashbacks continually offer new details of his childhood crime. The backward glances work as both a compelling narrative technique and a glimpse into Jack's conscience (and the viewer's); the harsh reminder of his former self seem to play endlessly in his mind, impossible to reconcile with the gentle, introspective adult he longs to become. [More]
Genre: Dramas
Starring: Andrew Garfield, Peter Mullan, Shaun Evans, Siobhan Finneran, Katie Lyons
Screenwriter: Mark O'Rowe
Producer: Nick Marston, Tally Garner, Lynn Horsford
Composer: Paddy Cunneen
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Reviews
The movie is taut with suspense but culminates in wise resignation as the hero comes to understand he's running from a part of himself.
Crowley gets a remarkable performance from Andrew Garfield: his Jack is a person who carries guilt with him even when he is trying to override it.
Boy A is one of those rare movies that takes the idea of rehabilitation seriously. In the end, it may present a worst-case scenario, but it does so with unusual depth and conviction.
In tandem, the director and screenwriter build up a palpable suspense. Boy A will rivet you while raising issues about forgiveness and just who deserves it.
Along with Garfield and the splendid Scottish actor Mullan, Crowley brings great tact to this bruising saga of atonement and moral regeneration. Though a bad seed can bring forth good fruit, will others want to pick it?
There are some gaps in the movie's reality, and some O. Henry-like contrivances, but the masterful trick Boy A plays on viewers is to get them to care before giving them reasons not to.
We're introduced to more string-pulling symbolism than a movie this inherently sad ever needs. It's too much.
Mullen and Garfield fit well together -- both have faces you like on first sight, both have charm, both have warmth.
... [Peter] Mullan's compassion and paternal protectiveness and [Andrew] Garfield's buoyant performance... bring a warmth to the otherwise grim drama.
Although the screenplay tips our sympathies wholly in the young man's direction, it's cleverly structured to reveal the particulars of the long-ago crime, and what led up to it, in flashback.
Emotionally searing....Thanks largely to Garfield's heartfelt performance, Boy A becomes a powerful, poignant story of the difficulty of forgiveness.
The film is well balanced in its storytelling and fills in all the details of the [heinous] crime and its aftermath years later.
...a sad story that supports the idea of child killers as often victims themselves, the far less passionately defended point of view.
Taken as the meditation on the past that it is, Boy A is a moving look at the best and worst of how humans can treat one another.
A small, huge film about the harsh realities of rehabilitation, and the shimmering possibility of redemption.
If Hitchcock had done a coming-of-age drama, it might have resembled this haunting, nervous, sad movie.
Sensitive portrait of a young man's efforts to reintegrate into society after committing a horrible crime as a child.
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