Relative newcomer Chatterjee is a revelation as Nazneen. It's her character's predicament that holds our interest.
Brick Lane (2008)
Rated: PG-13 [See Full Rating] for some sexuality and brief strong language
Runtime: 1 hr 41 mins
Theatrical Release: Jun 20, 2008 Limited
Box Office: $788,126
Synopsis:
Nazneen’s life is turned upside down at the tender age of seventeen,. Forced into an arranged marriage to an older man, she exchanges her Bangladeshi village home for a block of flats in London’s East End. In this new world, pining for her home and her sister, she struggles to make sense of her...
Nazneen’s life is turned upside down at the tender age of seventeen,. Forced into an arranged marriage to an older man, she exchanges her Bangladeshi village home for a block of flats in London’s East End. In this new world, pining for her home and her sister, she struggles to make sense of her existence – and to do her duty to her husband. A man of inflated ideas (and stomach), he sorely tests her compliance.
Told from birth that she must not fight her fate, Nazneen submits, devoting her life to raising her family and slapping down her demons of discontent. Until the day that Karim, a hot-headed local man, bursts into her life.
Against a background of escalating racial tension, they embark on an affair that finally forces Nazneen to take control of her life. Set in multicultural Britain, Brick Lane is a truly contemporary story of love, cultural difference, and ultimately, the strength of the human spirit. --© Sony Pictures Classics
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Genre: Dramas
Starring: Tannishtha Chatterjee, Satish Kaushik, Christopher Simpson, Naeema Begum, Lana Rahman
Screenwriter: Abi Morgan, Laura Jones
Producer: Alison Owen, Christopher Collins
Composer: Jocelyn Pook
Reviews
Brick Lane, by director Sarah Gavron and Angela's Ashes screenwriter Laura Jones, is, like Mira Nair's film The Namesake, a heartfelt portrait of the new immigrant experience.
The slant is feminist, but the most interesting character is not the saintly and long-suffering wife but her initially ridiculous husband (wonderfully played by Satish Kaushik).
The story has many themes to contend with and sometimes accordingly becomes unfocused, but when fully controlled it’s also quite moving and surprising.
Small, intimate and achingly modern, Brick Lane is a lovely study involving both one woman's awakening and the inevitability of cross-cultural pollination.
Brick Lane is a grown-up movie. It recognizes that there are different kinds of love and that some of them don't involve happily-ever-afters.
Chanu, a torrent of frustration who seems to be no more happy with the union than his wife is, confronts Karim in a memorable scene that packs a spark the rest of the film lacks.
[A] quietly observant and quite beautiful adaptation of the Monica Ali novel.
Poignant and subtle, it tackles cross-cultural conflict and racial intolerance.
Brick Lane is so lovely that even a simple shot of empty hangers in a closet shimmers.
The film's heart can't be faulted, but its head is working in a regrettably low gear.
As the plot unfolds, it becomes apparent that director Sarah Gavron also finds attractive people more sympathetic, and this is Brick Lane's undoing.
As Nazneen, Tannishtha Chatterjee proves to be the quiet force that drives the film, ably projecting a depth of emotion with few words.
While the film tackles the issue of what the concept of 'home' means for expats and emigrants, it can also be seen as a coming-of-age story for a woman in her mid-30s.
Ultimately hopeful, Brick Lane feels careful enough to connect with its intentions, leaving behind an engaging, turbulent picture that pays careful concentration to the tender nuances of the longing, unfulfilled heart.
[The film] hits all the clichés of romantic literary adaptation: montage, letters read aloud in voice-over, a swelling musical score.
Sarah Gavron's adaptation of Monica Ali's novel is a thoughtful and often evocative drama of identity and assimilation...
Sarah Gavron's adaptation of Monica Ali's novel is a thoughtful and often evocative drama of identity and assimilation...
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