Handsome, manipulative, simplistic. It packs an uplift that bludgeons you into submission.
Cinderella Man (2005)
Tomatometer
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Reviews Counted: 200
Fresh: 160
Rotten:40
Average Rating: 7.4/10
Consensus: With grittiness and an evocative sense of time and place, Cinderella Man is a powerful underdog story. And Ron Howard and Russell Crowe prove to be a solid combination.
Runtime: 2 hrs 25 mins
Genre: Dramas
Theatrical Release: Jun 3, 2005 Wide
Box Office: $61,548,295
Synopsis: Academy Award®-winning producer Brian Grazer, director Ron Howard and screenwriter Akiva Goldsman (all Oscar® winners for 2001's A Beautiful Mind) are reunited with Oscar® winner Russell Crowe for... Academy Award®-winning producer Brian Grazer, director Ron Howard and screenwriter Akiva Goldsman (all Oscar® winners for 2001's A Beautiful Mind) are reunited with Oscar® winner Russell Crowe for the Universal Pictures-Miramax Films-Imagine Entertainment production, Cinderella Man. Starring opposite Crowe is two-time Oscar® nominee Renée Zellweger. Crowe stars in the story inspired by the life of legendary athlete Jim Braddock, a once-promising light heavyweight boxer forced into retirement after a string of losses in the ring. As the nation enters the darkest years of the Great Depression, Braddock accepts a string of dead-end jobs to support his wife, Mae (Renée Zellweger), and their children, while never totally abandoning his dream of boxing again. Thanks to a last minute cancellation, Braddock finds himself back in the ring against the second-ranked world contender--and to everyone's amazement, Braddock wins in the third round. Despite being pounds lighter than his opponents and repeated injuries to his hands, Braddock continues to fight against challengers and win. Carrying on his shoulders the hopes and dreams of the disenfranchised masses, Braddock, dubbed the "Cinderella Man," faces his toughest challenger in Max Baer (Craig Bierko), the heavyweight champion of the world, renowned for having killed two men in the ring. Cinderella Man stars Russell Crowe, Renée Zellweger and Craig Bierko; is produced by Brian Grazer, Ron Howard and Penny Marshall; is written by Cliff Hollingsworth, C. Gaby Mitchell, Akiva Goldsman; and is directed by Ron Howard. The film is a Universal Pictures/Miramax Films co-production of an Imagine Entertainment presentation, with Universal Pictures distributing domestically and Buena Vista International handling the international distribution of the film for Miramax. [More]
Starring: Russell Crowe, Renee Zellweger, Paul Giamatti, Craig Bierko
Starring: Russell Crowe, Renee Zellweger, Paul Giamatti, Craig Bierko, Bruce McGill, Paddy Considine
Director: Ron Howard
Director: Ron Howard
Screenwriter: Ron Howard, Akiva Goldsman, Cliff Hollingsworth
Producer: Ron Howard, Brian Grazer, Penny Marshall, Todd Hallowell
Composer: Thomas Newman
Studio: Universal Pictures
Get This Movie
Release:
Dec 30, 2008
DVD Features:
- Snap Case
- Full Frame - 1.33
Audio:
- Dolby Digital 5.1 Surround - English
- DVS Dolby Digital 2.0 Stereo - English
- Dolby Digital 5.1 Surround - French
- Subtitles: English, (SDH), Spanish, French
Additional Release Material:
- Audio Commentary - 1. Director Ron Howard
- 2. Writer Akiva Goldsman
- 3. Writer Cliff Hollingsworth
- Deleted Scenes - Commentary by Director Ron Howard
- Featurette - 1. The Fight Card: Casting Cinderella Man
- 2. The Man, The Movie, The Legend: A Filmmaking Journey
- 3. For the Record: A History in Boxing
- 4. Ringside Seats
- 5. Jim Braddock: The Friends & Family Behind the Legend
- Text/Photo Gallery - Cinderella Man Gallery
- DVD-ROM Features
Additional Product:
- Movie Cash Offer for MILK OR FROST/NIXON
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Reviews for Cinderella Man
Howard's movie skillfully delivers that primal, heart-pounding satisfaction that is the promise of all boxing tales.
As for the fights themselves, Howard brings nothing new to the canvas. Like the movie as a whole, they work fine enough, even while encased in leaden certitude.
A cross between Seabiscuit (because of the Depression) and Rocky (because of the sport), yet a fine enough film to stand on its own, even if the production falls short of both in terms of its emotional punch.
And as far as Cinderella's pumpkins go, though the movie ends with Braddock's boxing triumph in Hollywood's notorious freeze-frame approach to history, both Braddock and Baer went on to be decked by Joe Louis.
At moments it almost had me, but for the most part I just felt cold and watched with all the interest of a disgruntled spectator.
A fine alternative to the louder and more brainless summer movies competing with it -- an excellent drama that relies on heart and action instead of schmaltz and melodrama.
Howard may have replicated the family scenes as accurately as if he'd found film from a camera hidden in the walls of the original Braddock apartment, and yet the movie can't shake the sense that the scenes away from the boxing ring are somehow false
The film wallows in the poverty and degradation of Crowe and his family, which is a real downer for a supposed feel-good movie . . .
The fight scenes have a stinging authenticity and, although at 144 minutes it outstays its welcome, this is Howard’s best film since Apollo 13
Stirring and inspirational in the best and worst senses of these terms, this fact-based melodram is stamped by the populist and middlebrow sensibility of both director Ron Howard and writer Akiva Goldsman.
I only wish Howard could have shaped this and the other performances a little, toning them down or leaving a bit of a rough edge.
I have never rooted for a sporting event in my life like I rooted for Braddock. I was on the edge of my couch, balled fists on my knees, praying he would prevail...superbly edited, beautifully shot, sensitively acted, and with fantastic grit and texture
It is an amazing story brought to life by gifted people and it will make you feel good without making you feel guilty for doing so.
Es un cuento de hadas necesario para el cinéfilo que tiene que padecer películas pretenciosas o agresivas. El mundo necesita héroes, aunque sean de celuloide.
No ofrece nada nuevo y, a pesar de su impecable factura técnica, aburre hasta la exasperación con su mezcla de previsibilidad y cursilería.
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