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Copying Beethoven (2006)
Tomatometer
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Reviews Counted: 77
Fresh: 20
Rotten:57
Average Rating: 4.7/10
Consensus: A pretentious historical drama that's ultimately a drag, despite Ed Harris' powerful performance.
Synopsis: Classical music aficionado or no, it's tough not to be moved by the soaring notes of Ludwig van Beethoven's Ninth Symphony. The work stands as both a defining highpoint in the composer's career and... Classical music aficionado or no, it's tough not to be moved by the soaring notes of Ludwig van Beethoven's Ninth Symphony. The work stands as both a defining highpoint in the composer's career and a dynamic and beguiling legacy of its era. An imaginative exploration of Beethoven's life in his final days working on the Ninth, Copying Beethoven draws inspiration from the music itself. Directed by acclaimed filmmaker Agnieszka Holland, the film is both thrilling and romantic. It is 1824. The composer, played brilliantly by Ed Harris, is racing to finish his new symphony. However, it has been years since his last success and he is plagued by deafness, loneliness and personal trauma. A copyist is urgently needed to help the composer finish in time for the scheduled first performance - otherwise the orchestra will have no music to play. Insightful young conservatory student and aspiring composer Anna Holtz (Diane Kruger) is recommended for the position. The mercurial Beethoven is skeptical that a woman might become involved in his masterpiece but slowly comes to trust in Anna's assistance and in the end becomes quite fond of her. By the time the piece is performed - a moment in history captured in an exquisitely moving shot from Anna's perspective, as she sits on the orchestra floor helping the deaf Beethoven to keep time - her presence in his life is an absolute necessity. Her deep understanding of his work is such that she even corrects mistakes he has made, while her passionate personality opens a door into his proud, private world. Harris is no stranger to bringing iconic, larger-than-life figures to the screen; his lead performance in Pollock was a masterful exploration of a tormented but talented artist. He channels a similar esprit here: his Beethoven is ribald and volatile, vulnerable and, ultimately, endearing. He is matched in intensity and skill by Kruger, who makes the young Anna both an enraptured apprentice and a paragon of willful female independence and ambition. These two characters break down barrier after barrier, and the result is a harmonious wonder. --© SKE Films [More]
Starring: Ed Harris, Diane Kruger, Matthew Goode, Phyllida Law
Starring: Ed Harris, Diane Kruger, Matthew Goode, Phyllida Law, Nicholas Jones, Joe Anderson
Director: Agnieszka Holland
Director: Agnieszka Holland
Screenwriter: Christopher Wilkinson, Stephen J. Rivele
Studio: MGM
Get This Movie
Release:
Apr 3, 2007
DVD Features:
- Keep Case
- Widescreen - 2.35
Audio:
- Dolby Digital 5.1 Surround - English
- Dolby Surround 2.0 - French, Spanish
- Subtitled - English, Spanish
Additional Release Material:
- Alternate Scenes - Deleted Scenes with Optional Commentary
- Audio Commentary - Agnieszka Holland - Director; Ed Harris - Actor
- Behind the Scenes - "The Making of COPYING BEETHOVEN"
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Reviews for Copying Beethoven
You can mock this film if you like, but it remains watchable throughout. And the ears have it when the eyes don't.
If the composer's shade could hear the words this script has put in his mouth it really would be a case of "roll over, Beethoven", right there in his grave.
A great example of that time-honoured genre, the biopic so silly it plays like a spoof.
A fatuous, bafflingly imagined tale of the unhappy and unwell Beethoven and his ordeal in preparing the Ninth Symphony for its premiere.
Diane Kruger is the most appealing scenery in this rose-tinted nonsense.
No amount of grandstanding from Harris can animate this turgid mishmash of musical biopic and May-December romance.
Like the wrinkled buttocks he flashes at Kruger, however, this portrait of the artist could use some tightening up.
The direction from Polish New Waver Agnieszka Holland feels more like she’s testing a new camera than attempting to capture the nuances of the artistic process, and if we’re to believe the script, then all great art derives ‘from the gut’.
Brief bursts of passion aside, this is a lifeless facsimile of the great artist's last days.
Does the portrayal stray dangerously close to parody at times? Of course.
Enough to keep the interest going -- and one sequence that raises the film to a level many better films never dream of attaining.
Beethoven turns out to be like every obnoxious self-absorbed creative type you've ever met
While much of this film is intriguing and nicely performed, it also feels rather strained and corny.
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