Jellyfish (2008)
Runtime: 78 mins
Theatrical Release: Apr 4, 2008 Limited
Synopsis: Winner of the Camera d'Or at the 2007 Cannes Film Festival, JELLYFISH (MEDUZOT) is a moving film that follows the travails of three women in modern-day Tel Aviv. Batya (Sarah Adler) is struggling to make ends meet, living in an apartment with a leaky ceiling and working for a wedding caterer,... Winner of the Camera d'Or at the 2007 Cannes Film Festival, JELLYFISH (MEDUZOT) is a moving film that follows the travails of three women in modern-day Tel Aviv. Batya (Sarah Adler) is struggling to make ends meet, living in an apartment with a leaky ceiling and working for a wedding caterer, where she gets to serve happy people gathered together to celebrate the institution of marriage. One day on the beach, she sees a little redhaired girl (Nikol Leidman) suddenly walk out of the ocean, and Batya decides to look after the silent child when the police won't help find her parents. Keren (Noa Knoller) is a young woman who has just gotten married to Michael (Gera Adler), but she breaks her leg at the reception after being stuck in the bathroom, forcing them to cancel their Caribbean vacation and instead spend their honeymoon at an Israeli seaside hotel, where her husband starts becoming friendly with an older woman in the top-floor suite. And Joy (Ma-nenita De Latorre) is a Filipino guest worker who has come to Tel Aviv seeking employment as a caregiver to make money to send back to her son in the Philippines. Although she intended to take care of babies, she is instead assigned to elderly women, one of whom dies immediately and another who is bullheaded and outwardly nasty to her. As the three protagonists try to make their way in the world, their lives intersect in unusual and fascinating ways. JELLYFISH, directed by real-life partners and writers Etgar Keret and Shira Geffen and written by Geffen, is a touching, compelling drama about troubled families, parents and children, and loneliness. Instead of making any grand statements, it focuses on the little things in life that can make the difference between being happy and being miserable, keeping hope within grasp. Keret and Geffen, who also play small parts in the film, use water as a metaphor throughout the story: just as every ocean has its jellyfish, life can often sting, but it also can be beautiful. [More]
Genre: Foreign Films
Starring: Sarah Adler, Nikol Leidman, Gera Sandler, Noa Knoller, Ma-nenita De Latorre
Screenwriter: Shira Geffen
Composer: Christopher Bowen, Gregoire Hetzel
Pre-order it on DVD
Reviews
Although its title might have some assuming this is a cheap remake of a bad horror B movie from the '50s, Jellyfish is actually quite a reflective and pensive picture.
Jellyfish, with its pervasive sense of mysticism, is anything but standard, predictable storytelling. What is it exactly? Well, you might as well ask a jellyfish.
Thematically, it's extremely precise, and one of its most compelling themes is the failure, or uselessness, of language.
Although the "hyperlink" drama that features a lot of interconnecting storylines has become a common staple of the arthouse, "Jellyfish" manages to be a weird and memorable creature all its own.
These interlocking stories don’t add up to a conventional narrative. It helps to think of Jellyfish as a tone poem. And like the invertebrate that is its namesake, the film is by turns beautiful, stinging and rather shapeless.
Light on its feet, deeply human, and fresh in style, this French-Israeli co-production serves up an engaging tale about a group of women struggling with daily life in contemporary Tel Aviv.
Most of the first hour passes without much more forward motion than its namesake. But in the corners and niches of that slow development, we get to know a handful of people, crisply drawn in fast sketches.
Shira Geffen's script is a poignant intersection of the regrettable past and the transitions that must occur to move on. In this 60th-year celebration of Israel, this film feels like the whole country.
What gives the film a haunting and sometimes droll poetic unity is the way co-directors Etgar Keret and Shira Geffen trace all their characters moving in a jellyfish-like fashion.
Provides a diverting portrait of modern-day Israel, as the filmmakers eschew history, politics and religion to focus instead on more intimate and universal issues of fate, loss and the longing to connect.
A brief, haunting tale of three women in contemporary Tel Aviv, Jellyfish seems to float in its viewers' consciousness; you'll remember its images long afterward.
These stories have as their justification that fact that they are intrinsically interesting. I think that's enough.
It has the modest scope of a short-story collection, with simply but vividly sketched characters that briefly glow within their tales.
A wonderfully complex exploration into people's attempts to control the fates and their own discovered strengths in the wake of illusory failure.
...an intricate weaving of the separate lives of its three [femme]principals. Their story is told with an intelligent understanding of the characters
While the scene announces the film's intensive focus on water -- a sign of transition, loss and rebirth -- it is also a sign of its stylized poetry, sometimes lovely, sometimes precious.
The film has a sense of the genial absurdity of life, a whimsical appreciation of the inescapable randomness of our anything-can-happen existence, of how fragile yet resilient are the bonds that draw people together.
Related Forums
by: GuessMe 6/3

Top Critic