My Life to Live (1962)
Runtime: 85 mins
Synopsis: MY LIFE TO LIVE is Jean-Luc Godard's political, philosophical and, above all, rapturous portrait of a Parisian prostitute who attempts to take control of her own life and understand the meaning of freedom. Godard's technically audacious film is an invigorating masterpiece that... MY LIFE TO LIVE is Jean-Luc Godard's political, philosophical and, above all, rapturous portrait of a Parisian prostitute who attempts to take control of her own life and understand the meaning of freedom. Godard's technically audacious film is an invigorating masterpiece that strikingly blends original film techniques with genuine human emotion, including long takes, asymmetrical framing, and jarring inter-titles. Anna Karina is Nana, a distraught young woman who leaves her husband and child with the hopes of becoming a big-screen actress. Realizing the futility of making her dream a reality, she instead is goaded into prostitution by a persuasive pimp. Nana begins to question the decisions she has made, sparking even greater personal confusion and leading toward an inevitably somber conclusion. The tale is divided into 12 chapters that combine a variety of disparate storytelling genres--ranging from Brechtian to B-movie gangster. MY LIFE TO LIVE is a hallmark of the French New Wave, an example of critic-turned-director Godard at the peak of his craft. [More]
Genre: Foreign Films
Starring: Anna Karina, Sady Rebbot, Andre S. Labarthe, Guylaine Schlumberger, Monique Messine
Screenwriter: Jean-Luc Godard
Producer: Pierre Braunberger
Composer: Michel Legrand
DVD Info
Release:
Aug 11, 1998
DVD Features:
- Region 1 Encoding
- Keep Case
- Interactive Menus
- Production Credits
- Filmographies and Awards
- Scene Access
Buy It On DVD
Reviews
Godard mixes titles, unusual use of sound, and long scenes of dialog. He is brilliantly served by his wife, Anna Karina, in this film. Karina gives the girl a ring of truth and depth.
Jean Luc-Godard’s third feature fuses trademark stylistic playfulness with a stark portrait of the dehumanising nature of capitalist society.
Jean-Luc Godard’s fourth film is a heartfelt, headstrong attempt to push his own concept of a deconstructed cinema even further into the stratosphere.
Star Anna Karina was in the brutal early rounds of marriage to her director, who was never more doting and egghead-condescending than in this showpiece.
This 1962 film isn't the most stimulating of Godard's early work, but it does show him beginning to pull away from traditional cutting patterns and sequence arrangement.
You can see now what Bernard Rose, Mike Figgis, Lars von Trier and all the other DV-fixated filmmakers are striving for; they're trying to reclaim the freedom, the weightlessness, of cinema. Bravo to them.
Invigorating, revolutionary, joyfully iconoclastic and spontaneous.
Twelve Brechtian tableaux chronicle the life and death of a whore, starting out as a documentary on prostitution, ending as a Monogram B movie.
Mr. Godard is a bold experimenter, but it's time he picked himself a stronger theme.
There's a passion there that's hard to define except in terms of superb, totally fluid and, for the time, completely original and audacious film-making.
Godard never lets us forget the artificiality of what we're watching, turning the film into a masterful meditation on cinema, capitalism, and sex.
This is a great movie, and I am not surprised to find Susan Sontag describing it as 'one of the most extraordinary, beautiful, and original works of art that I know of.'
An early stunner from Jean-Luc Godard and one of the seminal films of the French New Wave.

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