Shadow of the Vampire (2000)
Runtime: 1 hr 33 mins
Theatrical Release: Jan 26, 2001 Wide
Box Office: $7,518,962
Synopsis: E. Elias Mehrige's SHADOW OF THE VAMPIRE explores the fictional premise that the star of director F.W. Murnau's 1922 German expressionist horror film, NOSFERATU, was an actual vampire. When the dictatorial Murnau (John Malkovich) sets about filming his monster masterpiece, he makes a... E. Elias Mehrige's SHADOW OF THE VAMPIRE explores the fictional premise that the star of director F.W. Murnau's 1922 German expressionist horror film, NOSFERATU, was an actual vampire. When the dictatorial Murnau (John Malkovich) sets about filming his monster masterpiece, he makes a Faustian deal and enlists the grotesque, reclusive Max Schreck (Willem Dafoe) to play the rodentlike Count Orlok. Schreck proceeds to both horrify and fascinate the unwitting cast and crew---including producer Albin Grau (Udo Kier), actor Gustav von Wangenheim (Eddie Izzard), and actress Greta Schroeder (Catherine McCormack)--who, at first, believe Schreck is merely an eccentric actor. As the production continues, however, mysterious accidents and deaths begin to reveal why Schreck never gets any makeup. From its lavish opening sequence to Murnau's filming of the final scene, Mehrige's movie serves as a tribute not only to the original NOSFERATU but to the art of cinema itself. Because Murnau's project is a silent film, the overbearing director can coax and shout at his actors during the takes, making for some cleverly comical scenes. Although Malkovich, Izzard, and Kier are excellent in their roles, SHADOW OF THE VAMPIRE could simply not exist without Dafoe's hideous and hilarious performance, which ranks among the finest of the versatile actor's career. [More]
Genre: Horror/Suspense
Starring: John Malkovich, Willem Dafoe, Udo Kier, Cary Elwes, Catherine McCormack
DVD Info
Release:
Jun 17, 2003
DVD Features:
- Region 1
- Keep Case
- Anamorphic Widescreen - 2.35
- Single Side - Dual Layer
Audio:
- Dolby Digital 5.1 - English
- Dolby Digital 5.1 - French
Additional Release Material:
- Production Interview - 1. E. Elias Merhige - Director
- 2. Willem Dafoe - Star
- 3. Nicolas Cage - Producer
- Audio Commentary - 1. E. Elias Merhige - Director
- Trailers - 1. Original Theatrical Trailer
- 2. Bonus Trailer - BEGOTTEN
- Making Of
- Highlights
Text/Photo Galleries:
- Stills/Photos - 1. Make-Up Application Montage
- 2. Production Scrapbook
- Biographies - 1. Cast & Crew
- Production Notes
Buy It On DVD
Reviews
... [I]f you like your horror thoughtful and provoking, this is your movie.
The screenplay, by Steven Katz, suffers from arch, almost unspeakably theatrical dialogue, and, as Murnau, John Malkovich recites his lines as if monomania were synonymous with monotonic: He drains the drama of blood.
An imaginatively twisted lesson in film history and a glorious gothic comedy-drama.
Wholly absorbing and inspired in parts, this carefully crafted curio dares to suggest that Murnau made a Faustian pact with an actual vampire to play the title role in exchange for the neck of the film's leading lady at production's end.
At best, this is a dawdling, toothless riff on a vastly superior film. At worst, it's character assassination.
Intriguing, eccentric, sporadically entertaining tosh (but tosh all the same).
Through layers of makeup depicting the rat-faced, undead Schreck, a vampire who turns not into a bat but, worse, a demanding prima donna, Dafoe doesn't go over the top, though he does plant his flag at the summit.
In this cookie cutter movie world, it's nice to see the occasional move that doesn't quite fit into a specific genre or can't easily be classified.
What might have occurred during the filming of Nosferatu leaves one amused but confused about how much of Shadow is a spoof and how much is based in truth.
Guarantees that you'll never watch the source material in the same way again.
Horror is as old as movie pictures, but this film shows it still holds dark depths to explore.
Impresses on most every conceivable level: as a pure film, as wild, speculative storytelling, and, like Murnau's own Nosferatu, a benchmark ranking among the most ingenious vampire movies ever crafted.
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