Allen actually lets his characters have conversations with each other.
Vicky Cristina Barcelona (2008)
Theatrical Release: Aug 15, 2008 Wide
Box Office: $13,309,881
Synopsis: Two young Americans spend a summer in Spain and meet a flamboyant artist (Javier Bardem) and his beautiful but insane ex-wife (Penelope Cruz). Vicky (Rebecca Hall) is straight-laced and about to be married. Cristina (Scarlett Johansson) is a sexually adventurous free spirit. When... Two young Americans spend a summer in Spain and meet a flamboyant artist (Javier Bardem) and his beautiful but insane ex-wife (Penelope Cruz). Vicky (Rebecca Hall) is straight-laced and about to be married. Cristina (Scarlett Johansson) is a sexually adventurous free spirit. When they all become amorously entangled, the results are both hilarious and harrowing. --© Weinstein Co. [More]
Genre: Dramas
Starring: Scarlett Johansson, Penélope Cruz, Rebecca Hall, Javier Bardem, Chris Messina
Reviews
A delightful though somewhat predictable Woody Allen farce is enlivened by its beautiful Barcelona locations and the performances of Cruz and Bardem (who brings heart to the stereotypical Latin lover character).
Vicky Cristina Barcelona comes closer than anything to exploring Allen's famous quote (made in a time of personal scandal), "the heart wants what it wants."
Allen's camera seems liberated by the sunny locations; the director seems to enjoy Gaudi's architecture almost as much as Johansson's.
Vicky Cristina Barcelona is a reassuring return to form that qualifies as his smartest, most lyrical and all-around best film in a decade.
Woody Allen's best film in years... talk about damning with faint praise. Vicky Cristina Barcelona is hardly a return to form, but it'll do.
Woody Allen's 'Vicky Cristina Barcelona' smolders with the best of them. It's also one of Allen's most finely crafted films.
Allen's recent product doesn't always pay off with quite so much colorful whimsy and incisive irony but, with this beautifully crafted piece of work it's clear he's on a role.
Long ago, Allen became interested in "the artist" only as a theme and rhetorical figure. The actual making of art, whether as his subject or as embodied by his own films, no longer grips him. It may actually bore him.
Allen stages a late-career coup, placing his finely sketched characters in an ideal milieu of comedy, romance and madness.
The performances are all wonderful, but top honors go to the amazing Penelope Cruz.
[Allen] brings the angst of his Manhattan characters to Spain, and tries to blend them into a story that has Almodóvar overtones, but Almodóvar, does them much better
A pleasing and fairly smart film that reveals an unexpected willingness on Allen's part to finally stretch beyond endless copying of the triumphs of his middle-age.
One of the year's most charming and sly works -- as well as perhaps the saddest film in the filmmaker's entire oeuvre.
How could one not admire a script that has one of the characters talk about her friend's 'turgid categorical imperative' without blinking an eye?
What fresh young talent directed this terrific film? You will walk out saying: Who played Vicky?
A thought-provoking cautionary tale juxtaposing blind adherence to American Puritanical values against some more open-minded alternative ways of relating.
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