| |
|
|
|
|
|
|
|
|
 |
 |
| |
-- |
|
Accepted (2006) |
|
Click here to see the review. | |
Philip French | |
 |
 |
 |
| |
|
|
Aeon Flux (2005) |
|
"The 15-year-old MTV cartoon on which it is based must be better than this." | |
Philip French | |
 |
 |
 |
| |
|
|
All About Eve (1950) |
|
"Joseph L Mankiewicz's wonderfully literate 1950 classic drama of the theatrical life, All About Eve, is back in the cinema, to be savoured for its language, performances, psychological insights and proof that all the world's a stage." | |
Philip French | |
 |
 |
 |
| |
|
|
All Quiet on the Western Front (1930) |
|
"The horrific immediacy of the battle scenes remains unsurpassed and even though the discussions on the purposes, causes and effects of war now seem laboured and stagy, they still have power and cogency." | |
Philip French | |
 |
 |
 |
| |
|
|
Amazing Grace (2007) |
|
"A very decent contribution to the present bicentennial celebrations of the parliamentary bill that outlawed the slave trade in the British empire." | |
Philip French | |
 |
 |
 |
| |
-- |
|
American Dreamz (2006) |
|
Click here to see the review. | |
Philip French | |
 |
 |
 |
| |
|
|
Anatomy of a Murder (1959) |
|
"The picture is superbly photographed by Sam Leavitt in black and white, though there's nothing black and white about the movie's morality." | |
Philip French | |
 |
 |
 |
| |
|
|
Angel-A (2007) |
|
"A soggy affair, short on laughs and lacking chemistry between hero and heroine." | |
Philip French | |
 |
 |
 |
| |
|
|
Annie Hall (1977) |
|
"If the movie has a message, it's the same as most later Allen movies -- that love inevitably fades and only Louis Armstrong and the Marx Brothers abide." | |
Philip French | |
 |
 |
 |
| |
-- |
|
Apocalypto (2006) |
|
Click here to see the review. | |
Philip French | |
 |
 |
 |
| |
|
|
Avenue Montaigne (2007) |
|
"A souffle of a comedy." | |
Philip French | |
 |
 |
 |
| |
|
|
Away From Her (2007) |
|
"This is a most adroit, confident film, calmly understated and never sentimental. It supports the argument that short stories and novellas are the best source material for feature movies." | |
Philip French | |
 |
|
|